Production

When the date matters more than the gear list.

Hand us the event and we take it from design through load-out. One team, one number to call.

A gymnasium’s roof trusses lit blue and warm above several hundred seated people, seen from the lighting control position at the back of the room, with the console and its monitors in the foreground.

What we cover

Five kinds of event.

  1. Theatre

    Multi-performance runs with a wireless package for the cast, a programmed lighting plot, and an operator at the board every night. Tech week is coordinated with your director and stage management before opening.

  2. Corporate Events & Conferences

    Lectern and wireless microphones, sound that carries to the back of the room, and a screen that can be read from there. Cameras and image magnification when the room is deep enough that the stage stops being visible.

  3. Houses of Worship

    Sunday mornings, holiday services, and the ones that only happen once. We work around the worship calendar, and we are used to handing the room back to a volunteer team at the end of it.

  4. Galas and Fundraisers

    A ballroom, a podium, a video that has to play exactly on cue, and a program that runs to a schedule. Uplighting for the room and a wash for the stage.

  5. Concerts and Live Music

    Club stages, school auditoriums, and outdoor sets. PA, monitors, and an engineer mixing front of house for the whole set.

A plain hall of folding chairs with a seated audience, re-lit end to end — purple wash across every wall, warm break-up patterns thrown across the whole ceiling, and the stage curtain lit red.
An ordinary hall, lit end to end: wall wash carried onto every surface and break-up patterns across the whole ceiling.

What we bring

Audio, lighting, projection, power.

Get one of them wrong and the room does not work, so we plan them as one system.

  • Audio

    PA and monitors sized to the room, wireless microphones with the frequencies coordinated ahead of the date, and a console with someone behind it.

    See the audio catalog
  • Lighting

    Front light, wash, and effect fixtures on a programmed plot, or a single stand in the corner of a room. DMX control either way.

    See the lighting catalog
  • Projection and video

    Large-format projection, screens, and multi-camera image magnification.

    See the projection catalog
  • Power

    Distribution, cable, and the load calculation that keeps the building’s breakers inside their rating.

    See the power catalog

Working with MCB

Three phases.

Road cases, wheeled dollies, equipment bins and a moving-head fixture on a stand, staged against the wall of a wood-panelled hall during a load-in.
An order staged inside the venue at load-in.
An operator at a lighting desk with a cue list on one monitor and the light plot on the other, calling a show on the lit stage beyond.
At the desk during the show, with the cue list and the plot up.
  1. Consultation

    Timeline
    One call, same week
    Deliverable
    Requirements brief and a ballpark

    Tell us the date, the venue, the headcount, and what is on the program. We come back the same week with a ballpark and a short list of what we would need to see to firm it up.

  2. Planning

    Timeline
    One to two weeks before load-in
    Deliverable
    Equipment list, crew, schedule, itemized quote

    Once we have site access or a venue layout, we specify the equipment, lock the crew, and put a number on it. The quote is itemized, and anything that would move the total is raised with you first.

  3. Execution

    Timeline
    Event week
    Deliverable
    Load-in, on-site engineering, run of show, strike

    We arrive inside the load-in window, set the room, run the show, and take it out. On a job we are running, the lead engineer is on site through the event.

Renting the gear, or handing us the event?

Renting the gear

Build a request from the catalog.

Browse the rental catalog

Handing us the event

It is bigger than a gear list. Tell us what you are producing and we will come back with a plan and a number.

Tell us about your event